What the Butler Saw

A Conversation with Fida Touma, the Deputy Director General of the A.M. Qattan Foundation, on the Occasion of the Fourth Qalandiya International, Palestine, by James Scarborough

INTRODUCTION The fourth Qalandiya International (QI) will take place from October 3rd - October 30th. Also known as the Palestine Biennial, it’s the largest contemporary art event in Palestine. This year's QI examines the theme of Solidarity. Exhibitions and programs will take place throughout the country. Sites include Jerusalem, Gaza, Ramallah, Al Bireh, Birzeit, and several Palestinian villages. It will feature the work of dozens of Palestinian and international artists (See below). Solidarity-themed events will... Read more →

A Conversation with Robbie Conal on the Occasion of his Exhibition "Robbie Conal’s Cabinet of Horrors" at Track 16 Gallery, by James Scarborough

INTRODUCTION. Since the Reagan administration, Robbie Conal has made and distributed more than 100 street posters that lampoon more-than-deserving politicians, bureaucrats, businessmen, and televangelists. His themes have included the environment, censorship, war, and the Supreme Court (but, alas, not the current Kavanaugh kerfuffle). He’s been called “America’s foremost street artist,” and with good reason. His bleak, zombie apocalypse Cabinet of Horrors features almost two dozen routine abusers of power, authority and trust: Donald Trump, his... Read more →

A Conversation with Farah Khelil on the Occasion of her Exhibition “Graines de pensée” at Selma Feriani Gallery, Tunis, Tunisia, by James Scarborough

INTRODUCTION Farah Khelil was born in Carthage, Tunisia. She graduated from the Institute of Fine Arts in Tunis. She holds a PhD in Art and Art Sciences from Paris/Pantheon - Sorbonne. She lives and works in Paris. Graines de pensée is her first solo exhibition at the Selma Feriani Gallery, Tunis, Tunisia. Her work in the show includes installations made from documents, objects, refuse and plant elements. There is also a slide show, collages, and... Read more →

A Conversation with Reem Shadid and Yazan Khalili on the Occasion of their Exhibition "Debt" at the Fourth Qalandiya International, Palestine, by James Scarborough

INTRODUCTION. The fourth Qalandiya International (QI) will take place from October 3rd - October 30th. Also known as the Palestine Biennial, it’s the largest contemporary art event in Palestine. This year's QI examines the theme of Solidarity. Exhibitions and programs will take place throughout the country. Sites include Jerusalem, Gaza, Ramallah, Al Bireh, Birzeit, and several Palestinian villages. It will feature the work of dozens of Palestinian and international artists (See below). Solidarity-themed events will... Read more →

A Conversation with Eltiqa & Shababek on the Occasion of their Exhibition "Toward Hope" at the Fourth Qalandiya International, Palestine, by James Scarborough

INTRODUCTION. The fourth Qalandiya International (QI) will take place from October 3rd - October 30th. Also known as the Palestine Biennial, it’s the largest contemporary art event in Palestine. This year's QI examines the theme of Solidarity. Exhibitions and programs will take place throughout the country. Sites include Jerusalem, Gaza, Ramallah, Al Bireh, Birzeit, and several Palestinian villages. It will feature the work of dozens of Palestinian and international artists (See below). Solidarity-themed events will... Read more →

“Planet Topspin: Alexander Iskin at Track 16 Gallery, by James Scarborough

INTRODUCTION. What the world needs now is an updated metaphor for the human condition. One that captures the anxiety, uncertainty, and glibness of a digitally-infused social media global culture that flickers furiously with zeroes and ones, signifying nothing. Enter Alexander Iskin (interview here). At times, you can barely recognize the Berlin-based artist’s figures. An arm or shin, an elbow or knee, a torso, aslant, askew, and asunder. At other times, fully-formed figures hurdle an obstacle... Read more →

A Conversation with Alexander Iskin on the Occasion of his Exhibition “Planet Topspin” at Track 16 Gallery, by James Scarborough

INTRODUCTION Alexander Iskin (review here) was born 1990 in Moscow. He lives and works in Berlin. His solo shows include: The Future is Neanderthal (2017) at DSC Gallery, Prague, CZ Apple Sauce in Paradise (2016) and Reality Express, (2015) at SEXAUER, Berlin His group shows include Salon der Gegenwart (2017) in Hamburg
 Below please find an interview with Mr. Iskin on the occasion of his exhibition “ALEXANDER ISKIN: PLANET TOPSPIN” at Track 16 Gallery. This... Read more →

"Greg Mocilnikar: Short Stories", at Walter Maciel Gallery, by James Scarborough

INTRODUCTION. In the beginning was the Word. Or was it the Light? Nevermind. Greg Mocilnikar’s work bristles with ambiguity, with trying to work through a moment’s feeling and the appropriate way to express it. Each piece represents a skirmish of formal elements. The combatants: meaty, organic black lattice-swaths of black versus a legion of colorful pastel-toned geometric confetti shapes. The action takes place in a pictorial equivalent of a dojo, seen from above. The space... Read more →

A Conversation with Rachel Dedman, Curator of "Labour of Love: New Approaches to Palestinian Embroidery", The Palestinian Museum, by James Scarborough

INTRODUCTION. Labour of Love: New Approaches to Palestinian Embroidery at The Palestinian Museum features 80 dresses and accessories. Archival photographs, posters, paintings, music, and a video place these objects in their historical context. Below follows a generous and thoughtful conversation with Rachel Dedman, the exhibition’s Curator. In it, she discusses the show's origins; expands on its themes; offers insights into the economic and social conditions of the otherwise anonymous embroiderers; and expands on the aptness... Read more →

"Points of View”, Caitlin Lonegan at Susanne Vielmetter Gallery, by James Scarborough

“Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words. (…) Now this is very profound, what rhythm is, and goes far deeper than any words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it.” Virginia Woolf INTRODUCTION. Caitlin Lonegan’s paintings riff on Abstract Expressionist marks and gestures. She orchestrates these riffs into atmospheric epic poems... Read more →

A Conversation with Kathleen Weyts, Curator of “Somewhere in Between: Contemporary Art Scenes in Europe”, Bozar Centre for Fine Arts, Brussels, Belgium, by James Scarborough

Until August 19, Brussel’s Bozar (Centre for Fine Arts) will stage “Somewhere in Between: Contemporary Art Scenes in Europe”. Curated by Kathleen Weyts, the exhibition reflects the sum efforts of five separate artistic players. These players include Etablissement d’en face; Komplot; La Loge; Prague curator Michal Novotný; and Kunstenbibliotheek/ Students Curatorial Studies KASK, School of Arts Ghent. Each player will configure their portion of the Centre for Fine Arts as they see fit. Coordinated by... Read more →

A Conversation with Elyse Pignolet and Sandow Birk on the Occasion of their Exhibition, "American Procession", at Track 16 Gallery, by James Scarborough

Please find below a conversation with Elyse Pignolet and Sandow Birk on their American Procession exhibition at Track 16 gallery (reviewed here.) Also check the above link to visit equally compelling recent work by Pignolet and Birk, including Birk's Trumpagruel series. -------------------------------------------- JS: The Procession of Princes on Dresden Castle’s exterior wall inspired the piece. Was it something either of you had seen in person, or was it something you saw in reproduction? Either way,... Read more →

“Mitosis: Felicity Nove at CMay Gallery”, by James Scarborough

"If you are only moved by color relationships, you are missing the point. I am interested in expressing the big emotions - tragedy, ecstasy, doom." Mark Rothko INTRODUCTION. 11 poured pigment and resin on aluminum paintings and one site-specific installation. The paintings are large; they engulf the viewer. Everything’s red. Everything quivers, pulsates, and throbs. Gravity would continue the shapes’ voyage down the wall, but they seem frozen in a moment of arrested flux. Smooshed... Read more →

"Sandow Birk and Elyse Pignolet: American Procession," Track 16 Gallery, by James Scarborough

INTRODUCTION. Elyse Pignolet and Sandow Birk modeled American Procession after The Procession of Princes at Dresden Castle in Germany. The original image began as a painting in the 1870s. It commemorated the ruling family’s 800-year rule. It featured images of 35 monarchs, each following in the footsteps of the one before. This implied an orderly and peaceful transition of rule. The piece was transferred to a 335-foot-long series of ceramic tiles when the original began... Read more →

"JORDI ALCARAZ: defying boundaries", Jack Rutberg Fine Arts, by James Scarborough

INTRODUCTION. Frame it as you might, you can’t help but delight in the disorder of Jordi Alcaraz’ work. It frets with purposeful indecision. Formal elements - jagged lines (literal, implied), amorphous shapes, hesitant modeling, ambiguous space (literal, implied) – attest as much. It brims with low-level anxiety, with backstage tentativeness. Is this particular piece a painting, a drawing, or a sculpture? How about a wall-hung installation? Could be all four, depending on what the Catalan... Read more →

A Conversation with John Valadez on the Occasion of his Residency at Fine Art Solutions, by James Scarborough

INTRODUCTION. Listening to John Valadez hold court at the studio in which he worked during his recent residency (review here) at Fine Art Solutions is like hanging out with someone who used to paint Renaissance Popes in his youth and now, mellow and philosophical, follows his own idiosyncratic pursuits. He’s led a full, active life, which shows no signs of slowing down. He still works in his home studio, where he continues to experiment and... Read more →

A Conversation with Teresita de la Torre on the Occasion of her Exhibition at Eastside International (ESXLA), by James Scarborough

My psyche was forever impacted by the conditions I grew up experiencing on the US/Mexico border in Laredo, Texas. Words like el norte, el otro lado, and la migra formed part of my everyday lexicon. I witnessed, firsthand, the separation of friends, family, and loved ones–while personally dealing with an internal identity crisis (or more commonly known as the Chicanx mantra, of “Ni de aquí, Ni de allá.” My experience on the border fueled my... Read more →

"Teresita de la Torre: Hilando Relaciones", Eastside International (ESXLA), by James Scarborough

There will be time, there will be time/To prepare a face to meet the faces that you meet. The Love Song of J. Alfred Prufrock, by T.S. Eliot INTRODUCTION. With sweet, effective understatement, Teresita de la Torre’s installation, Hilando Relaciones, shows how social media devalues the verb, to share. (Art, of course, encourages it.) Picture this scenario. You learn something about yourself. Something profound, something anecdotal, just something. A building block of identity. You want... Read more →

The Constant Gardener Tends To His Painted Flowers: Roland Reiss’ “Unapologetic Flowers and Small Stories”, Claremont Museum of Art, and “Unrepentant Flowers and New Miniature Tableaux”, Diane Rosenstein Gallery, by James Scarborough

Plutôt la vie que ces prismes sans épaisseur même si les couleurs sont plus pures (Choose life instead of those prisms with no depth even if their colors are purer.) Andre Breton, Plutot la Vie, 1923 NOTE: Both shows include selections of the artist’s Flower Paintings and Miniatures work. This piece will focus on the Flower Paintings. INTRODUCTION. Roland Reiss’ Flower Paintings answer the question, How does one make paintings in a digitalized culture? They... Read more →

Valadez in Vernon, East 26th Projects, by James Scarborough

Genuine poetry can communicate before it is understood. T.S. Eliot INTRODUCTION. Having achieved a solid reputation as a purveyor of art presentation, Fine Art Solutions also awards artist residencies and then mounts exhibitions of the work produced. Such is the context of John Valadez’s Valadez in Vernon, an exhibition at East 26 Projects, a site located on the FAS compound. You can talk about the gritty industrial aesthetic of a museum like the Pompidou. As... Read more →

A Conversation with Niekolaas Johannes Lekkerkerk, Artistic Director, POPPOSITIONS Art Fair, Brussels, Belgium, by James Scarborough

POPPOSITIONS 2018 focuses on diagnosis, articulation, prescription, and, lest we forget, discovery. It feels more like a World’s Fair than an art fair. Niekolaas Johannes Lekkerkerk provides artistic direction. The show encourages a discussion between people with strongly held convictions about the state of the world and the role of art. It’s idealistic (what should be), pragmatic (what is), cautionary (man has made a mess of things…), and visionary (… but that doesn’t mean there... Read more →

A Conversation with Amanda Fruta, University Art Museum’s Public Affairs and Communications Specialist, on the occasion of the Museum’s Robert Irwin: Site Determined exhibition, by James Scarborough

Amanda Fruta is the Public Affairs and Communications Specialist at Cal State Long Beach's University Art Museum. She has a B.A. in Art History and Visual Arts from Occidental College. She knows a lot about art in general and about this exhibition in particular. She shares this knowledge without recourse to academic artspeak. She wants to create meaningful connections and partnerships, foster new discourse, and support a culture of access, equity, and public service. Her... Read more →

"Adrian Villar Rojas: The Theater of Disappearance", Museum of Contemporary Art, Los Angeles, by James Scarborough

A shipwreck on the ocean’s floor. An octopus’ garden. A surreal grotto. Such are the first impressions of Adrian Villar Rojas: The Theater of Disappearance at The Geffen Contemporary at MOCA (October 22, 2017 – May 13, 2018). Careful how you navigate the site-specific installation, a total makeover of the Geffen's exhibition space. A spacious room, unrecognizable from its original white box configuration. Except for a few lit display cases (see below), the lights are... Read more →

A Conversation with Tato Akhalkasishvili, participant in Art Dubai 2018’s Inaugural "Residents" program, by James Scarborough

Tato Akhalkasishvili was born in 1979, Tbilisi, Georgia. He graduated from Tbilisi Academy of Arts in 2003. Afterwards he moved to Germany where he lived and worked in Cologne. In 2008 the artist decided to go back to his country. Nowadays he is based in Tbilisi, Georgia. He works in painting, in addition to making objects, installations and collages. Akhalkasishvili expresses important issues and concepts with the help of different metaphors. Childhood is one of... Read more →

It’s about time: Jack Persekian and Jerusalem’s eternal present, by James Scarborough

(Jerusalem) is an oxymoron, chockfull of contradictions and schizophrenic realities, which we embrace in this seemingly blessed, but so easily deadly, potent formula of persistent animosity and violence. Jack Persekian, After Matson For the Middle East in general and Palestine in particular, 2018 is a landmark year. A hundred years ago, the Balfour Declaration and Jerusalem’s occupation by British forces. Fifty years ago, the Israeli occupation of East Jerusalem. Enter Jack Persekian, to remind us,... Read more →

A Conversation with Jose Lerma, participant in Art Dubai 2018’s Inaugural "Residents" program, by James Scarborough

José Lerma was born in 1971 in Seville, Spain and grew up in Puerto Rico. He was recently named Chair of the Painting Department at the School of the Art Institute of Chicago. His solo exhibitions include Kemper Museum of Art, Andrea Rosen Gallery, Galería Roberto Paradise, Galerie Xavier Hufkens, Museum of Contemporary Art in Chicago, Green Gallery, Gallery Loock, Galería Marta Cervera, Contemporary Art Museum in Raleigh, NC, Arario Gallery in Seoul, Galleria Il... Read more →

A Conversation with Iabadiou Piko, participant in Art Dubai 2018’s Inaugural "Residents" program, by James Scarborough

Iabadiou Piko (Piko Sugianto) was born in 1984 in Prabumulih, South Sumatera, Indonesia. In 2005, he graduated from the Academic Design of Vision Yogyakarta Department (ADV) with a major in Diploma of Art Photography Design. He is a self-taught painter who now lives and works in Yogyakarta. He participated in Art Dubai 2018’s inaugural Residents program. New to Art Dubai programming, Residents 2018 invited 11 international artists to spend 4 to 8 weeks in a... Read more →

A Conversation with Pablo del Val, Art Dubai Artistic Director, by James Scarborough

Art Dubai 2018 opens this week. It will showcase the work of 500 artists. It will also offer talks, performances, tours, and workshops. Programming includes: Contemporary and Modern. This will feature work from 105 galleries based in 48 countries. The inaugural Residents program. This will feature 11 global artists whose work reflects their experience in the UAE. The Global Art Forum. Titled “I Am Not A Robot”, it will discuss the impact that automation has... Read more →

Robert Irwin: Site Determined, University Art Museum, Cal State Long Beach, by James Scarborough

INTRODUCTION. When you hear intervention, you think something’s wrong and needs to be fixed. For Robert Irwin, that something was art; it needed to be hacked. Beginning as an abstract artist, Irwin questioned painting and found it wanting. In one of those eureka moments by which something seems to come from nothing, but which makes sense in retrospect, he turned to the environment as both his medium and his Muse. Thus was his site-specific work... Read more →

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, curated by Tatiana Flores, Museum of Latin American Art, a component of Pacific Standard Time: LA/LA, by James Scarborough

INTRODUCTION. There’s a rhythm to the show, a vibe. It stays with you long after you leave the Museum. Makes sense, doesn’t it? The Caribbean – you think of West Side Story and reggae, merengue and bachata, mambo and calypso. Makes you want to dance through the galleries or at least lilt as you read aloud the wall panels and labels. This rhythm carries you through the tropical installation, through the thematic groupings - Conceptual... Read more →

A Conversation with Djon Mundine and Judith Blackall, Co-Curators, and Nasim Nasr, Participating Artist, in “Sixth Sense,” National Art School Gallery, NSW, Australia, by James Scarborough

In his Dadaist poem Anna Blume, Kurt Schwitters proclaims that the eponymous fraulein is the beloved of his 27 senses. Presumably he experiences her in ways we can only imagine. Sixth Sense, guest-curated by Djon Mundine for the National Art School Gallery, explores how cross-generational Aboriginal, Torres Strait Islander and non-Aboriginal artists perceive their world in ways that extend beyond the visual component of their otherwise visual art. Artists in the exhibition are Daniel Boyd,... Read more →

Nothing Juvenile Here: “Artists Assemble!: Empowerment and Inspiration In Contemporary Comics,” Museum of Latin American Art, by James Scarborough

Used to be, in pre-Wikipedia days, that comic books were an easy way to avoid having to read The Hunchback of Notre Dame or The Three Musketeers or other too-long novels for high school essay assignments. Plot lines, character development, there they were, in abbreviated, legible, and graphic form. Now comics are a lot more political, social, and cultural. Case in point, Artists Assemble!: Empowerment and Inspiration In Contemporary Comics, curated by Esperanza Sánchez and... Read more →

A Conversation with Vivian Ziherl, Curator of the 8th Jerusalem Show “Before and After Origins,” a part of the Qalandiya International (The Palestinian Biennial), 2016, by James Scarborough

By their very nature, Biennials present a lot of moving pieces. Usually, they’re of the logistical sort. This year’s Qalandiya International (QI), also known as the Palestinian Biennial, doesn’t just have a lot of moving pieces, it’s also fraught by social and political turmoil. Rarely does a biennial’s past literally erupt into the present in such an immediate way. Given the region’s recent politically inclement climate, the QI’s continued existence is no mean feat. Perhaps... Read more →

Uncomfortably Numb: Brittany Waters at the Thomas Ferreira Gallery, by James Scarborough

You might go to someone’s party and check out the host’s book or music collection. If you’re a little more curious, you might see what the hell’s up in their medicine cabinet. I’m talking pills - analgesics, soporifics, psychotropics. Don’t read the labels, examine the capsules’ designs. Little Mondrians and Van Doesburgs, some butterscotch yellow or lime green monochromes. Innocuous, not a little pretty, right, like really minimal, hand painted, Minimalist sculptures? Well, especially if... Read more →

None of Your Beeswax? Hardly. “Exegesis Eisegesis Encaustic,” Katie Herzog with Andrew Choate at Klowden Mann Gallery, by James Scarborough

For this exhibition, Katie Herzog, in conjunction with writer Andrew Choate, has created a series of encaustic diptychs that plays tug of war with words that refer to things and words that in themselves are things. They chose generic Angeleno signage, unbranded, without obvious references. For each sign, Choate fashioned a sort of linguistic, Lewis Carrol-like doppelganger, which Herzog then fabricated in encaustic. If these were done with a medium that was fluid and fast... Read more →

Making Haste Slowly: Jayme Odgers’ Samurai Self-Portraits at Offramp Gallery, Pasadena By James Scarborough

This essay is published in conjunction with Where Am I Today?, an upcoming exhibition at Offramp Gallery, Pasadena. One might think that a one-man show that brims with in-your-face self-portraits would smack of vanity, if not self-indulgence. Yes, it does. No, it doesn’t. 8.21.2015 Make It Go Away 2 Jayme Odgers’ self-portraits feel like an exercise in self-aggrandizement so, yes, there’s that aspect of vanity. Once their backstory (a staple of theatre; a staple of... Read more →

Victor Hugo Zayas: The River Paintings at The Museum of Latin American Art, by James Scarborough

You think Los Angeles and you think glam if not garish, all surface, no history, no foundation. Not only is there no there, there: folks laud this nothing as a something. It’s not unjustified, of course. It’s just that, in the hands of an artist like Victor Hugo Zayas, the Los Angeles cityscape offers more, much more. Paul Schimmel’s MOCA show Helter Skelter suggested a noir underbelly to the city. This exhibition displays its monumental... Read more →

Hermann Lederle’s “Adaptation,” by James Scarborough

This essay will accompany an exhibition of the artist’s work next month at Arthea Gallery, Mannheim, Germany. Hermann Lederle’s “Adaptation,” 2015, is massive. Measuring five and a half feet by ten feet, this totemic monument doesn’t just envelop you, it anchors you to the ground. Reminiscent of partially open Levelor blinds, a network of dense and narrow vertical bands sweep across the canvas. There’s more weight at the center; this makes the surface quiver and... Read more →

Christine Frerichs: “Serenade” at Klowden Mann, by James Scarborough

Serenade 2014 Christine Frerichs oil, acrylic, wax and Activated Carbon Paint on two canvases 72" x 88" Photo: Lee Thompson, courtesy Klowden Mann With “Serenade,” her second solo show at Klowden Mann, Christine Frerichs offers deeply felt analyses of landscapes. She works in oil, acrylic, and wax. Although their surfaces are gritty, as if they’ve been blasted with stucco, there’s serenity to each piece. This serenity comes from the works’ narrow color range and the... Read more →

John Valadez: “Como Fregas | What Now” at Robert Berman Gallery, by James Scarborough

With photorealist and social acuity as well as a penchant for the melodramatic, John Valadez dissects Los Angeles’s Chicano experience. His work addresses issues of estrangement. He wants his work to go beyond reportage to embed allegories, noting: “These are stories that I don’t know where they are going to go… it’s all very mysterious.” His murals, for which he’s best known, are theatrical: vivid characterizations, large, detailed sets, and conflict born of alienation. This... Read more →

Nasim Nasr’s Zaeefeh (The Wretchedness) and Shadi (Happiness), GAGPROJECTS Adelaide/Berlin at the 2015 Art Dubai, by James Scarborough

Nasim Nasr has two new bodies of work. One is called Zaeefeh (The Wretchedness), 2015. Across her portraits of historical Persian shahs, the artist has inscribed Farsi quotes. These quotes include citations from Iranian poet’s Forough Farrokhzad’s, Another Birth, and from Iranian writer Sadegh Hedayat’s influential story, The Blind Owl (1937). Both writers expressed dissatisfaction with their then-current regimes. Both writers’ work was banned in Iran. The Zaeefeh format is especially effective. The portraits look... Read more →

Danielle Eubank’s Arctic Circle Expedition, Part Two, by James Scarborough

As introduced here, Danielle Eubank recently completed an expedition to the Arctic Circle aboard the Antigua, a three-masted barquentine tall ship. She was one of 27 artists, scientists, and educators that sailed around the international territory of Svalbard, an arctic archipelago. She recorded what she saw, felt and experienced through painted sketches and photographs. This is a sneak peek at what Danielle brought back from the Arctic. Some of these images will be shown here.... Read more →

Bruce Richards: “Future/Past” at Jack Rutberg Fine Arts, by James Scarborough

The Dream of Kings 2007 Bruce Richards Oil on linen 41" x 19 ½" Photo: courtesy Jack Rutberg Fine Arts If “Bruce Richards: Future/Past” is any judge, then this longtime LA artist and UC Irvine grad, who moved to New York in 2002, would have been a great history teacher. He’s knowledgeable and analytical, light-hearted and not a little ironic. He doesn’t rant and rave. He may be sober to the point of understatement but... Read more →

“Transformations” and “Esterio Segura,” Museum of Latin American Art, Long Beach, CA, by James Scarborough

Two shows at MOLAA. Each a precious gem. Each vivid and compelling. Each worthy of being savored again and again. Photographs courtesy of Mick Victor/COTU MEDIA “Transformations” represents a perfect use of a permanent collection. It also represents a perfect engagement of a museum with its community. Chosen from a pool of 50, five Long Beach residents worked with Carlos Ortega, MOLAA’s Curator of Collections. Each resident had undergone a life-altering crisis. They chose work... Read more →

Hossein Khosrojerdi at Tara Gallery, by James Scarborough

Admirality Arch 2014 50.75” x 61.75” mixed media on cardboard Photos courtesy of Tara Gallery. In 2009 Hossein Khosrojerdi and his family left Iran to seek political asylum in England. His interest in the country’s popular but politically dangerous green movement as well as shrinking opportunities for post-Revolution Iranian artists provided the impetus. “Redefining Home”, his current exhibition of paintings and digital media at Tara Gallery, is his first U.S. solo show. It maps his... Read more →

Donna Festa - Capturing Glimpses, by James Scarborough

They are the cutest couple imaginable. Both are elderly. That much you can tell from their white hair and the way the man stands slightly stooped, which makes him a bit shorter than the woman. They’re both dressed in bleh colors – browns, off greens – that go well with the pasty color of their faces. The lines of both bodies curve slightly upward to the left, as if they’re two pieces of an interlocking... Read more →

Stephen Eichhorn: “Arrangements” Greg Stimac: “Along for the Ride” at CES Contemporary, by James Scarborough

There are two concurrent one-man shows at CES Contemporary. Stephen Eichhorn has a series of collages, “Arrangements.” Greg Stimac has a set of scanned photographs, “Along for the Ride.” Although their work comprises two separate shows, the two artists share a few interests. Both deal with found objects. Eichhorn harvests botanical images from books. Stimac scans photographs of bugs that smashed up against the Plexiglas panel he mounted on the front of his car during... Read more →

A Conversation With Jack Persekian, Director and Head Curator of the Palestinian Museum/Artistic Director of Qalandiya International, by James Scarborough

The second Qalandiya International (Qi), also known as the Palestine Biennial, will take place from October 22 - November 15. It’s the largest contemporary art event in Palestine. Exhibitions and programs will be staged throughout the country. Sites include Jerusalem, Haifa, Ramallah, Gaza, and Hebron. It will feature the work of over 100 Palestinian and international artists. Each artist’s work will contribute to the theme “Archives, Lived and Shared.” Along with the exhibited art, QI... Read more →

The Qalandiya International, the second edition of the Palestinian Biennial, October 22 - November 15., by James Scarborough

Vita brevis, arts longa. Perhaps no circumstance better reflects this now than the second edition of the Qalandiya International. Otherwise known as the Palestine Biennial, it will run from October 22 - November 15. Weathering the region’s tumultuous climate, this cultural celebration will occur in cities, towns, and villages throughout Palestine. It will feature over 100 artists and include a slate of educational programing. These events will take place at nine partner institutions. Each of... Read more →

Liu Guanguang Makes Daily Life Bizarre in Distorted Paintings, by James Scarborough

Liu Guangguang was born in China’s Gansu province. He attended Lu Xun Academy of Fine Art. He lives and works in Shenyang and Beijing. He’s a member of the Beijing-based EDGE Creative Collective. His recent work is about scale. His figures (and animals) go about their normal activity. They check their phones. They play cards. They get ready for bed. The people smile without a care in the world. Despite the normalcy of each image,... Read more →