A Conversation with Jeremy Lucas, Actor/Artistic Director & Co-Founder of Jaxx Theatricals, "Cabaret," The JAXX Theatre, by James Scarborough

Jaxx Theatricals' revival of "Cabaret" marks Jeremy Lucas's return to the stage as the Emcee after a seven-year performing hiatus. This dual role - as both artistic leader and performer - adds an interesting layer to the production's dynamics. The production, directed by Sasha Travis, places the decadent world of 1929 Berlin's Kit Kat Klub against the ominous rise of Nazi power. This juxtaposition creates a haunting resonance that feels relevant to contemporary audiences.

Travis's direction, complemented by Kasmira Buchanan's choreography and Jake Justice's musical direction, promises to bring fresh perspective to Kander and Ebb's landmark work. The creative team's approach emphasizes the show's dual nature - both as entertainment and cautionary tale. The casting of Erin Lee Smith as Sally Bowles alongside Kyle Steven Stocker's Clifford Bradshaw suggests an interpretation that will explore the complex dynamics between pleasure and political reality.

The production's design elements and dramaturgical work by Tal Toker indicate a commitment to historical authenticity while maintaining theatrical vitality. The inclusion of fight choreography by Jerry "Yi Hang" Zou hints at the production's willingness to confront the violent undertones of the narrative. Lucas's vision as both artistic director and performer reminds us why "Cabaret" remains a pivotal work in musical theater - one that entertains while forcing us to confront uncomfortable truths about human nature and society.

Below follows an email conversation with Jeremy Lucas.

JS: After a seven-year hiatus from performing, what drew you back to the stage, specifically to the role of the Emcee?

JL: I played the role with the original material many, many years ago. I sang SITTING PRETTY instead of MONEY and did not get to sing I DON’T CARE MUCH. Fosse’s film version and the later revivals added these and other iconic musical numbers. Personally, I have so much more life experience now. I knew I always wanted to give the Emcee another go someday.

JS: How does your experience as Artistic Director influence your approach to performing this character?

JL: I have had the pleasure of seeing Alan Cumming in 1998, Eddie Redmayne last year and Adam Lambert this year on Broadway in the role of Emcee. Their legendary performances along with Joel Grey’s have influenced and informed my Emcee while still (hopefully) making it my own.

JS: Having played Action in "West Side Story" multiple times, how does returning to a familiar role like the Emcee compare to revisiting other characters in your career?

JL: The Emcee definitely has the most singing from the other roles I’ve revisited and I have been having fun nerding out on all the vocal health-nut stuff you can find online these days. I recently nebulized for the first time and I think it helps.

JS: As both performer and artistic director, how do you navigate the dual responsibilities during rehearsals?

JL: The other night I had to leave rehearsal for an hour to train a new bartender and last night I had to train a new Box Office Manager. I am enjoying that the wonderful artistic team of CABARET is skillfully taking the helm. It is almost nostalgic performing now and I am loving it.

JS: What aspects of the Emcee's character resonate differently with you now compared to your previous portrayal?

JL: Goodness. I do not think there are any aspects that are the same. My Emcee now is (hopefully) a complete human being with a character arch. We are making him more than the social commentary of the time.

JS: How has your work as a Cultural Arts Envoy representing American Musical Theatre influenced your interpretation of this distinctly European character?

JL: Traveling the world as a Cultural Arts Envoy has helped me with an ear and love for accents. More than that, I have been able to experience life in other countries beyond that of a tourist.

JS: What challenges have you encountered in balancing the Emcee's entertainment aspects with the character's darker undertones?

JL: Because he has so much light, I have to pay close attention to how and when to flip it to show the dark side. I recently discovered some moments I am looking forward to trying in IF YOU COULD SEE HER.

JS: How has working with Sasha Travis as director affected your performance choices?

JL: Sasha is a gem. Her direction is clear, which makes specificity easy to attain. We also speak the same language and she is really collaborative, which is a gift. She is a gift.

JS: How does Jake Justice's musical direction support your interpretation of the Emcee's songs?

JL: Justice has been instrumental in teaching the music as written, which is sometimes different than what we are used to hearing, so I greatly appreciate learning it by note and rhythm before making it my own.

JS: What do you hope to convey to audiences through your portrayal of this iconic role?

JL: I want audiences to see him as a real multi-dimensional actual person. I am also thrilled to dance my a** off with Kazzy Buchanan’s choreography! This Emcee loves to dance.

Performances are Thursday, Friday, and Saturday at 8:00 PM, from March 15 through March 29, 2025, with previews on March 13 and 14. Tickets are available here. The Jaxx Theatre is located at 5432 Santa Monica Boulevard, Los Angeles, California 90029. For more information, click here.