Background artist/illustrator Mira Prajapati would tell you that two- and three-dimensional animation revolves around a story. A story with a beginning, a middle, and an end. With relatable characters, an engaging setting, and a challenge to overcome. You need technique, of course. (I call it visual poetry.) An understanding of structures (bodies; the natural world). Of weight and volume, balance and composition. Of the 12 Principles of Animation (including Anticipation, Squash and Stretch, and Staging).... Read more →
January 05, 2022
November 05, 2021
A Conversation with Inass Yassin, Guest Curator, "A People by the Sea: Narratives of the Palestinian Coast", The Palestinian Museum, by James Scarborough
Guest-curated by Inass Yassin, the Palestinian Museum’s exhibition, A People by the Sea: Narratives of the Palestinian Coast, documents the history of the Palestinian coast. The exhibition spans two hundred years, from the mid-eighteenth century to 1948. It features archival images, videos, historical artifacts from Palestinians’ daily life, interactive stations, maps, oral history testimonies, historical documents, and works of art. Artists include Manar Zuabi, Bashar Khalaf, Dima Srouji, Shareef Sarhan, Essa Grayeb, Amir Zuabi, and... Read more →
September 02, 2019
A Conversation with San Diego artist Bryan Ali Sanchez, by James Scarborough
Bryan Ali Sanchez, born in San Diego, California is a painter whose work examines the inequalities of class structure, cultural polarities and overlaps from personal experiences. He received an AA from San Diego City College in Visual and Performing Arts with a Two-Dimensional Art Emphasis. He received his BFA from California State University of Long Beach with a Concentration in Painting and Drawing. He has exhibited throughout San Diego and he recently exhibited at The... Read more →
July 11, 2019
A Conversation with Emily Hoerdemann on the Occasion of her Exhibition, “One Word Poems & Other Interesting Colors” at Garis & Hahn, by James Scarborough
Emily Hoerdemann is a Los Angeles-based artist working primarily in collage, incorporating painting, and photography. Her work melds text, paint, and process in colorful collages with select pop references, slang words and catch phrases, paired with fashion or fine art cut-outs. Her work draws on her obsession with organization and as a result, each work is a delicate placing of aesthetics and color. Below follows a conversation in conjunction with her exhibition, One Word Poems... Read more →
June 25, 2019
Sublime Spontaneity: The Watercolors of Marjorie Muns, by James Scarborough
Marjorie Muns’ motifs are simple ones. They are the pictorial equivalent of chamber music. Rocks, fruit, and muffins, Flowers, postcards (postcards showing works of art!) and vessels. Animals (ceramic and glass, giraffes and ducks) and Japanese screens. Nothing looks out of place. The renditions are humble and attentive. Objects don’t look posed; they glow in a moment of epiphany. In a space that is more narrow than shallow, the better to focus on the things... Read more →
May 23, 2019
The Poetically Intelligent Design of Andrew Wenrick, by James Scarborough
Removing the friction from a system is an aesthetic joy. Clive Thompson, “Efficiency is Beautiful,” Wired Magazine, April 2019 To paraphrase Mark Twain, everyone talks about the traffic. Andrew Wenrick does something with it. At least with its visual representation. He seizes the graphic potential of readymade maps. Like the venerable and once ubiquitous print version of the Thomas Brothers Guides. Because maps brim with visual elements and conceptual data, they beg to be used... Read more →
April 23, 2019
April 22, 2019
A Conversation with Andrew Wenrick on the Occasion of his Exhibition "Displacement of Zero" at the Claremont Museum of Art, Claremont, CA, by James Scarborough
Besides this CMOA exhibition, London-based Conceptual artist Andrew Wenrick has had solo exhibitions in London and Luzern, Switzerland. He has participated in group exhibitions in London, Bristol, Oxford, St. Andrews, Luzern, Vallauris (France), Boston, and Detroit. His work is in private collections in the United Kingdom, Germany, France, Sweden, Switzerland, Japan, China, United Arab Emirates, Canada and the United States. Museum hours are Friday through Sunday, noon to 4PM. The exhibition runs from May 10... Read more →
April 19, 2019
A Conversation with Alice Sparkly Kat, on the Occasion of her participation in POPPOSITIONS, Brussels, Belgium, by James Scarborough
"Alice Sparkly Kat is a queer astrologer of color with four years of experience in individual consultation, lectures, workshops, and writing. They use astrology to speculate on the ways culture inhabits biology. To them, astrology is a process of imagining the cultural alien through the metaphor of outer space. This work has inhabited MoMA, Philadelphia Museum of Art, and Hauser and Wirth. Their Astrology and Storytelling book (for sale on their website) is a workbook... Read more →
April 15, 2019
April 14, 2019
A Conversation with Dries Segers on the Occasion of his Participation in POPPOSITIONS, Brussels, Belgium, by James Scarborough
Dries Segers is an artist who lives and works in Brussels, Belgium. He is represented by DMW Artspace. He graduated from the Listahaskoli, Icelandic Academy for the Arts in Reykjavik (2011) and LUCA School of Arts, Sint Lukas Brussels (2013). His work has been shown in solo- and group shows like The Weekend Room (Seoul, South Korea), De Brakke Grond (Amsterdam, Netherlands), Musee and Galerie Botanique (Brussels, Belgium), Neue Galerie (Ausberg, Germany), Warte für Kunst... Read more →
April 11, 2019
April 05, 2019
A Conversation with Massinissa Selmani on the Occasion of his Participation in the 2019 Armory Show, by James Scarborough
Below is an interview with Algerian artist, Massinissa Selmani. Along with Tunisia artist Nidhal Chamekh, his work was shown at the recent Armory Show in New York. He's represented by the Selma Feriani Gallery JS: Growing up in Algiers, who or what were your early artistic influences? Are they the same as today? MS: My first influences come from Algerian painters such as M'hamed Issiakhem, Mohammed Temmam or Baya, but also cartoonists such as Ali... Read more →
March 14, 2019
A Conversation with Reena Lath, Co-Founder of Akar Prakar Gallery, Kolkata and New Delhi, India, on the Occasion of Their Gallery’s Participation in 2019 Art Dubai, by James Scarborough
Established in 2007, Art Dubai is the world’s leading platform for Contemporary and Modern art from the Middle East - North Africa - South Asia (MENASA) region, aka the Global South. This 13th iteration of the fair will feature 500 artists from around the world represented by 90 galleries in 40 countries. Its Artistic Director is Pablo del Val. Featuring Global Arts Forum, the Residents Program, and Campus Art Dubai, programming will include talks, tours,... Read more →
March 13, 2019
LA-Based Multimedia Artist Viviana Carlos’ Photographic Breadcrumbs: the Illusion of Arrival, by James Scarborough
Each piece a series of photographs. Visually, some photographs connect with one another. Others don’t. The ones that do. The base of a mountain in one lines up with the edge of a house’s roof in another. A road’s curve continues into the curve of another road. A billowing curtain bisects a window shade which sits next to a bathed-in-light chevron spaced nestled in the intersection of two ivy-covered concrete walls. If the body of... Read more →
A Conversation with Adeela Suleman, Bawwaba artist, 2019 Art Dubai, by James Scarborough
Established in 2007, Art Dubai is the world’s leading platform for Contemporary and Modern art from the Middle East - North Africa - South Asia (MENASA) region, aka the Global South. This 13th iteration of the fair will feature 500 artists from around the world represented by 90 galleries in 40 countries. Its Artistic Director is Pablo del Val. Featuring Global Arts Forum, the Residents Program, and Campus Art Dubai, programming will include talks, tours,... Read more →
March 05, 2019
A Conversation with Daniah Al Saleh, Winner of the 2nd Edition of the Ithra Art Prize, 2019 Art Dubai, by James Scarborough
Established in 2007, Art Dubai is the world’s leading platform for Contemporary and Modern art from the Middle East - North Africa - South Asia (MENASA) region, aka the Global South. This 13th iteration of the fair will feature 500 artists from around the world represented by 90 galleries in 40 countries. Its Artistic Director is Pablo del Val. Featuring Global Arts Forum, the Residents Program, and Campus Art Dubai, programming will include talks, tours,... Read more →
March 02, 2019
A Conversation with Fernanda Brenner, Co-Curator, Residents Programme, 2019 Art Dubai, by James Scarborough
Established in 2007, Art Dubai is the world’s leading platform for Contemporary and Modern art from the Middle East - North Africa - South Asia (MENASA) region, aka the Global South. This 13th iteration of the fair will feature 500 artists from around the world represented by 90 galleries in 40 countries. Its Artistic Director is Pablo del Val. Featuring Global Arts Forum, the Residents Program, and Campus Art Dubai, programming will include talks, tours,... Read more →
February 28, 2019
A Conversation with Fawz Kabra, Co-Director, Global Art Forum, 2019 Art Dubai, by James Scarborough
Established in 2007, Art Dubai is the world’s leading platform for Contemporary and Modern art from the Middle East - North Africa - South Asia (MENASA) region, aka the Global South. This 13th iteration of the fair will feature 500 artists from around the world represented by 90 galleries in 40 countries. Its Artistic Director is Pablo del Val. Featuring Global Arts Forum, the Residents Program, and Campus Art Dubai, programming will include talks, tours,... Read more →
February 22, 2019
Lisa Adams and the Art of More than Making Do, by James Scarborough
Things point to a void. Black holes that signify nothing. No hint of what’s inside. Or where they lead. A skewered dolphin, for instance, emerges from such an existential oval. A carnival ride? Nope. Something eco-sinister. Structures with doors and windows that reveal nothing within. No one’s home. Flowers emerge from manholes. Fertilized by what? Other mile markers on the road to dystopia. A catatonically optimistic coyote. A diagonal plank that heads nowhere apparent, like... Read more →
February 17, 2019
Here and Somewhere Else: Tim McMullen’s Anecdotal Modernism, South Pasadena Arts Council Gallery, by James Scarborough
Heraldic forms occupy center stage. They are playful if not exuberant in their monumentality. Accessible and uncomplicated, they are familiar and Modern. Their effect is hypnotic. They invite the viewer to slip into a jet stream of awareness and contemplation. Though their forms suggest the pure, timeless, and universal themes of Constantin Brancusi and Kazmir Malevich, they coexist without fanfare, as the artist writes, with wiggles and drips. These wiggles and drips anchor the otherwise... Read more →
January 30, 2019
A Conversation with Wyatt Kahn on the Occasion of his exhibition at Xavier Hufkens Gallery, Brussels, Belgium, by James Scarborough
The exhibition runs until February 16. The Gallery is located at 6 rue St-Georges | St-Jorisstraat 1050 Brussels, Belgium. For more information on the exhibition, visit here. For more information on the artist, visit here and here. JS: How does your current work continue your ongoing dynamic between painting and sculpture? Similarities? Differences? WK: Each work in this exhibition continues a dialogue between the mediums. For example, Drifting is made of canvas — a traditional... Read more →
January 16, 2019
A Conversation with Lisa Adams on the Occasion of Her Exhibition "A Piebald Era" at Garis & Kahn Art Gallery, by James Scarborough
JS: How is ours a piebald era? LA: The phrase, “a piebald era,” came to me out of the blue and I had no idea what it meant or if it was even relevant. It was as if someone had whispered it in my ear and I set to work researching, what could that possibly mean? Piebald has an alternative meaning—something composed of incongruous parts. It seems like a fit for the era in which... Read more →
December 28, 2018
A Conversation with Armen Eloyan on the Occasion of His Exhibition "Natur und Kultur" at the Tim Van Laere Gallery, Antwerp, Belgium, by James Scarborough
Armen Eloyan was born in Armenia in 1966. He studied at the Rijksakademie in Amsterdam, graduating in 2005. He lives and works in Zurich. Recent exhibitions include Armen Eloyan, Timothy Taylor, New York, USA (2107), Armen Eloyan, Galerie Nicola Von Senger, Zürich, Switzerland (2017), Armen Eloyan: Garden, Timothy Taylor, London (2016); Armen Eloyan & Josef Scharl, curated by Harald Spengler, Kunstparterre, Munich (2014); The Pink Spy, M HKA, Antwerp (2014); Luc Tuymans: A Vision of... Read more →
October 06, 2018
A Conversation with Fida Touma, Deputy Director General of the A.M. Qattan Foundation, on the Occasion of the Fourth Qalandiya International, Palestine, by James Scarborough
INTRODUCTION The fourth Qalandiya International (QI) will take place from October 3rd - October 30th. Also known as the Palestine Biennial, it’s the largest contemporary art event in Palestine. This year's QI examines the theme of Solidarity. Exhibitions and programs will take place throughout the country. Sites include Jerusalem, Gaza, Ramallah, Al Bireh, Birzeit, and several Palestinian villages. It will feature the work of dozens of Palestinian and international artists (See below). Solidarity-themed events will... Read more →
October 03, 2018
A Conversation with Robbie Conal on the Occasion of his Exhibition "Robbie Conal’s Cabinet of Horrors" at Track 16 Gallery, by James Scarborough
INTRODUCTION. Since the Reagan administration, Robbie Conal has made and distributed more than 100 street posters that lampoon more-than-deserving politicians, bureaucrats, businessmen, and televangelists. His themes have included the environment, censorship, war, and the Supreme Court (but, alas, not the current Kavanaugh kerfuffle). He’s been called “America’s foremost street artist,” and with good reason. His bleak, zombie apocalypse Cabinet of Horrors features almost two dozen routine abusers of power, authority and trust: Donald Trump, his... Read more →
October 02, 2018
A Conversation with Farah Khelil on the Occasion of her Exhibition “Graines de pensée” at Selma Feriani Gallery, Tunis, Tunisia, by James Scarborough
INTRODUCTION Farah Khelil was born in Carthage, Tunisia. She graduated from the Institute of Fine Arts in Tunis. She holds a PhD in Art and Art Sciences from Paris/Pantheon - Sorbonne. She lives and works in Paris. Graines de pensée is her first solo exhibition at the Selma Feriani Gallery, Tunis, Tunisia. Her work in the show includes installations made from documents, objects, refuse and plant elements. There is also a slide show, collages, and... Read more →
September 30, 2018
A Conversation with Reem Shadid and Yazan Khalili on the Occasion of their Exhibition "Debt" at the Fourth Qalandiya International, Palestine, by James Scarborough
INTRODUCTION. The fourth Qalandiya International (QI) will take place from October 3rd - October 30th. Also known as the Palestine Biennial, it’s the largest contemporary art event in Palestine. This year's QI examines the theme of Solidarity. Exhibitions and programs will take place throughout the country. Sites include Jerusalem, Gaza, Ramallah, Al Bireh, Birzeit, and several Palestinian villages. It will feature the work of dozens of Palestinian and international artists (See below). Solidarity-themed events will... Read more →
September 23, 2018
A Conversation with Eltiqa & Shababek on the Occasion of their Exhibition "Toward Hope" at the Fourth Qalandiya International, Palestine, by James Scarborough
INTRODUCTION. The fourth Qalandiya International (QI) will take place from October 3rd - October 30th. Also known as the Palestine Biennial, it’s the largest contemporary art event in Palestine. This year's QI examines the theme of Solidarity. Exhibitions and programs will take place throughout the country. Sites include Jerusalem, Gaza, Ramallah, Al Bireh, Birzeit, and several Palestinian villages. It will feature the work of dozens of Palestinian and international artists (See below). Solidarity-themed events will... Read more →
September 14, 2018
“Planet Topspin: Alexander Iskin at Track 16 Gallery, by James Scarborough
INTRODUCTION. What the world needs now is an updated metaphor for the human condition. One that captures the anxiety, uncertainty, and glibness of a digitally-infused social media global culture that flickers furiously with zeroes and ones, signifying nothing. Enter Alexander Iskin (interview here). At times, you can barely recognize the Berlin-based artist’s figures. An arm or shin, an elbow or knee, a torso, aslant, askew, and asunder. At other times, fully-formed figures hurdle an obstacle... Read more →
A Conversation with Alexander Iskin on the Occasion of his Exhibition “Planet Topspin” at Track 16 Gallery, by James Scarborough
INTRODUCTION Alexander Iskin (review here) was born 1990 in Moscow. He lives and works in Berlin. His solo shows include: The Future is Neanderthal (2017) at DSC Gallery, Prague, CZ Apple Sauce in Paradise (2016) and Reality Express, (2015) at SEXAUER, Berlin His group shows include Salon der Gegenwart (2017) in Hamburg Below please find an interview with Mr. Iskin on the occasion of his exhibition “ALEXANDER ISKIN: PLANET TOPSPIN” at Track 16 Gallery. This... Read more →
August 06, 2018
"The Twentieth-Century Way," Long Beach Playhouse Studio Theatre, by James Scarborough
INTRODUCTION. In 1914, the city of Long Beach hired two men to work as bounty hunters. Their pay? $15 a head. Their quarry? Social vagrants, i.e., gay men. Exposure for these social vagrants meant humiliation, a fine, prison, exile, or, in one case, suicide. This true story inspired The Twentieth-Century Way, written by Tom Jacobson and directed by Reed Flores for the Long Beach Playhouse Studio Theatre. The premise, direction, and acting are top notch.... Read more →
July 17, 2018
"Greg Mocilnikar: Short Stories", at Walter Maciel Gallery, by James Scarborough
INTRODUCTION. In the beginning was the Word. Or was it the Light? Nevermind. Greg Mocilnikar’s work bristles with ambiguity, with trying to work through a moment’s feeling and the appropriate way to express it. Each piece represents a skirmish of formal elements. The combatants: meaty, organic black lattice-swaths of black versus a legion of colorful pastel-toned geometric confetti shapes. The action takes place in a pictorial equivalent of a dojo, seen from above. The space... Read more →
July 16, 2018
A Conversation with Rachel Dedman, Curator of "Labour of Love: New Approaches to Palestinian Embroidery", The Palestinian Museum, by James Scarborough
INTRODUCTION. Labour of Love: New Approaches to Palestinian Embroidery at The Palestinian Museum features 80 dresses and accessories. Archival photographs, posters, paintings, music, and a video place these objects in their historical context. Below follows a generous and thoughtful conversation with Rachel Dedman, the exhibition’s Curator. In it, she discusses the show's origins; expands on its themes; offers insights into the economic and social conditions of the otherwise anonymous embroiderers; and expands on the aptness... Read more →
July 09, 2018
"Points of View”, Caitlin Lonegan at Susanne Vielmetter Gallery, by James Scarborough
“Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words. (…) Now this is very profound, what rhythm is, and goes far deeper than any words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it.” Virginia Woolf INTRODUCTION. Caitlin Lonegan’s paintings riff on Abstract Expressionist marks and gestures. She orchestrates these riffs into atmospheric epic poems... Read more →
July 05, 2018
A Conversation with Kathleen Weyts, Curator of “Somewhere in Between: Contemporary Art Scenes in Europe”, Bozar Centre for Fine Arts, Brussels, Belgium, by James Scarborough
Until August 19, Brussel’s Bozar (Centre for Fine Arts) will stage “Somewhere in Between: Contemporary Art Scenes in Europe”. Curated by Kathleen Weyts, the exhibition reflects the sum efforts of five separate artistic players. These players include Etablissement d’en face; Komplot; La Loge; Prague curator Michal Novotný; and Kunstenbibliotheek/ Students Curatorial Studies KASK, School of Arts Ghent. Each player will configure their portion of the Centre for Fine Arts as they see fit. Coordinated by... Read more →
July 01, 2018
June 28, 2018
“Mitosis: Felicity Nove at CMay Gallery”, by James Scarborough
"If you are only moved by color relationships, you are missing the point. I am interested in expressing the big emotions - tragedy, ecstasy, doom." Mark Rothko INTRODUCTION. 11 poured pigment and resin on aluminum paintings and one site-specific installation. The paintings are large; they engulf the viewer. Everything’s red. Everything quivers, pulsates, and throbs. Gravity would continue the shapes’ voyage down the wall, but they seem frozen in a moment of arrested flux. Smooshed... Read more →
June 26, 2018
"Sandow Birk and Elyse Pignolet: American Procession," Track 16 Gallery, by James Scarborough
INTRODUCTION. Elyse Pignolet and Sandow Birk modeled American Procession after The Procession of Princes at Dresden Castle in Germany. The original image began as a painting in the 1870s. It commemorated the ruling family’s 800-year rule. It featured images of 35 monarchs, each following in the footsteps of the one before. This implied an orderly and peaceful transition of rule. The piece was transferred to a 335-foot-long series of ceramic tiles when the original began... Read more →
June 24, 2018
"JORDI ALCARAZ: defying boundaries", Jack Rutberg Fine Arts, by James Scarborough
INTRODUCTION. Frame it as you might, you can’t help but delight in the disorder of Jordi Alcaraz’ work. It frets with purposeful indecision. Formal elements - jagged lines (literal, implied), amorphous shapes, hesitant modeling, ambiguous space (literal, implied) – attest as much. It brims with low-level anxiety, with backstage tentativeness. Is this particular piece a painting, a drawing, or a sculpture? How about a wall-hung installation? Could be all four, depending on what the Catalan... Read more →
May 21, 2018
"The Lover", directed by Allen Sewell for the Found Theatre, by James Scarborough
INTRODUCTION. Can a bed be a red herring? It can in Harold Pinter’s The Lover. House right, there’s a bed. A single bed. It’s there, but not really. On a small stage, it represents the bedroom. House left, the living room. Thing is, as the story develops, and you realize what’s going on, that bed, so full of possibility, literally and metaphorically, never gets used for the purpose for which the story’s title implies it... Read more →
May 20, 2018
A Conversation with John Valadez on the Occasion of his Residency at Fine Art Solutions, by James Scarborough
INTRODUCTION. Listening to John Valadez hold court at the studio in which he worked during his recent residency (review here) at Fine Art Solutions is like hanging out with someone who used to paint Renaissance Popes in his youth and now, mellow and philosophical, follows his own idiosyncratic pursuits. He’s led a full, active life, which shows no signs of slowing down. He still works in his home studio, where he continues to experiment and... Read more →
May 18, 2018
A Conversation with Teresita de la Torre on the Occasion of her Exhibition at Eastside International (ESXLA), by James Scarborough
My psyche was forever impacted by the conditions I grew up experiencing on the US/Mexico border in Laredo, Texas. Words like el norte, el otro lado, and la migra formed part of my everyday lexicon. I witnessed, firsthand, the separation of friends, family, and loved ones–while personally dealing with an internal identity crisis (or more commonly known as the Chicanx mantra, of “Ni de aquí, Ni de allá.” My experience on the border fueled my... Read more →
May 06, 2018
"Anonymous 616", written and directed by Mike Boss, by James Scarborough
INTRODUCTION. Google something and you can feel omniscient, like a god. You can feel the same way with gnarly pharmaceuticals, with or without the imprimatur of a religious practice. Finally, mental maladies can make you think that God speaks to you and you alone and that you must enforce anything that He commands. Anonymous 616, written and directed by Mike Boss, reminds us how these delusions of omniscience actually go way, way back. The film... Read more →
May 04, 2018
"End Days", directed by Beth Lopes for Cal Rep, by James Scarborough
INTRODUCTION. A few years after moving, a family has yet to unpack their stuff. This doesn’t suggest laziness as much as it represents emotional baggage. Each character in Deborah Zoe Laufer’s black comedy unpacks emotional baggage in their own peculiar way. WHAT'S IT ABOUT? 11th grader Rachel Stein’s (Tara Coffey) attitude towards life stems from events on 9/11. Her father, Arthur (Chris Bange), only just escaped from one of the Towers. Sixty-five of his financial... Read more →
May 03, 2018
"Teresita de la Torre: Hilando Relaciones", Eastside International (ESXLA), by James Scarborough
There will be time, there will be time/To prepare a face to meet the faces that you meet. The Love Song of J. Alfred Prufrock, by T.S. Eliot INTRODUCTION. With sweet, effective understatement, Teresita de la Torre’s installation, Hilando Relaciones, shows how social media devalues the verb, to share. (Art, of course, encourages it.) Picture this scenario. You learn something about yourself. Something profound, something anecdotal, just something. A building block of identity. You want... Read more →
May 02, 2018
"The Silent PLAY Experiment", conjured up by the creative team of Olivia Hamilton, Kyle Kaminsky, and Ross Wyngaarden, by James Scarborough
"Play is the highest form of research," attributed to Albert Einstein INTRODUCTION. Under normal circumstances, I would never paint a design on a stranger’s face, much less let her paint one on mine. I would never play charades. Do pantomime. Dance with abandon, sober, during the day. Singly; with someone else; or together with an entire room of strangers. I would never fill in sentence blanks on walls. Paint something based on a wall prompt.... Read more →
April 26, 2018
The Constant Gardener Tends To His Painted Flowers: Roland Reiss’ “Unapologetic Flowers and Small Stories”, Claremont Museum of Art, and “Unrepentant Flowers and New Miniature Tableaux”, Diane Rosenstein Gallery, by James Scarborough
Plutôt la vie que ces prismes sans épaisseur même si les couleurs sont plus pures (Choose life instead of those prisms with no depth even if their colors are purer.) Andre Breton, Plutot la Vie, 1923 NOTE: Both shows include selections of the artist’s Flower Paintings and Miniatures work. This piece will focus on the Flower Paintings. INTRODUCTION. Roland Reiss’ Flower Paintings answer the question, How does one make paintings in a digitalized culture? They... Read more →
April 19, 2018
April 16, 2018
Valadez in Vernon, East 26th Projects, by James Scarborough
Genuine poetry can communicate before it is understood. T.S. Eliot INTRODUCTION. Having achieved a solid reputation as a purveyor of art presentation, Fine Art Solutions also awards artist residencies and then mounts exhibitions of the work produced. Such is the context of John Valadez’s Valadez in Vernon, an exhibition at East 26 Projects, a site located on the FAS compound. You can talk about the gritty industrial aesthetic of a museum like the Pompidou. As... Read more →
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Recent Posts
- A Conversation with Background Artist/Illustrator Mira Prajapati, by James Scarborough
- A Conversation with Inass Yassin, Guest Curator, "A People by the Sea: Narratives of the Palestinian Coast", The Palestinian Museum, by James Scarborough
- A Conversation with San Diego artist Bryan Ali Sanchez, by James Scarborough
- A Conversation with Emily Hoerdemann on the Occasion of her Exhibition, “One Word Poems & Other Interesting Colors” at Garis & Hahn, by James Scarborough
- Sublime Spontaneity: The Watercolors of Marjorie Muns, by James Scarborough
- The Poetically Intelligent Design of Andrew Wenrick, by James Scarborough
- A Conversation with Nathalie Hartjes, director of MAMA, on the Occasion of her Participation in POPPOSITIONS, Brussels, Belgium, by James Scarborough
- A Conversation with Andrew Wenrick on the Occasion of his Exhibition "Displacement of Zero" at the Claremont Museum of Art, Claremont, CA, by James Scarborough
- A Conversation with Alice Sparkly Kat, on the Occasion of her participation in POPPOSITIONS, Brussels, Belgium, by James Scarborough
- A Conversation with Freek Lome, Founding Director of Onomatopee Projects, on the Occasion of his participation in POPPOSITIONS, Brussels, Belgium, by James Scarborough